Piano Quintet No. 2 in A major, Op. 81 (B. 155)

Allegro, ma non tanto


  • Recorded: 27th June 2017
  • Record Place: The Dvořák Hall of Rudolfinum, Prague
  • First Release: 2017
  • (P) 2017 SUPRAPHON a.s.
  • Genre: Chamber Music

Artists

  • music by: Antonín Dvořák
  • piano: Boris Giltburg
  • musical group: Pavel Haas Quartet

Album

Pavel Haas Quartet, Boris Giltburg, Pavel Nikl

Dvořák: Quintets Op. 81 & 97

Catalogue Number: SU 4195-1
Published: 19th October 2018
Genre: Chamber Music
Format: 2 LP
This album has received following awards:
  • Gramophone Editor's Choice (2017)
  • Album of the Week, Sunday Times (2017)
  • Recording of the Month, BBC Music Magazine (2017)
  • Recording of the Week, Presto Classical (2017)
  • Discs of 2017, Presto Classical (2017)
  • Discs of the Year - Record Review, BBC Radio 3 (2018)
  • Recordings of the Year, MusicWeb International (2018)
  • CD of the Week, Musiq3 (2018)
  • Choc de Classica (2018)
  • Gramophone Chamber Award (2018)
  • Diapason d'Or, Diapason Magazine (2018)
Antonín Dvořák - Piano Quintet No. 2 in A major, Op. 81 (1887), String Quintet in E flat major, Op. 97 (1893)

Pavel Haas Quartet (Veronika Jarůšková - 1st violin, Marek Zwiebel - 2nd violin, Radim Sedmidubský - viola, Peter Jarůšek - cello), Boris Giltburg - piano, Pavel Nikl - viola

Seven years after their triumph with quartets by Dvořák (SU4038-2, Op. 96 "American" and Op. 106 - 2011 Gramophone Award for "Recording of the Year), the Pavel Haas Quartet are making a triumphant return to Dvořák's music. For the recording of the quintets, they have invited two guests: the pianist Boris Giltburg (winner of the 2013 Queen Elisabeth Competition) and Pavel Nikl, a founding member of the Pavel Haas Quartet. Dvořák composed his Second Piano Quintet at his beloved summer residence Vysoká late in the summer of 1887. The famed critic Eduard Hanslick received the work's performance in Vienna enthusiastically: "It is one of his most beautiful works. It is real Dvořák." The String Quintet, Op. 97, although younger by just six years, represents an entirely "different Dvořák". After the New World Symphony and the American Quartet, it is Dvořák's third work composed while in North America. And what did Hanslick have to say this time? "It is perhaps the simplest, most natural, and happiest music composed since the days of Haydn." The degree to which the Pavel Haas Quartet feels at home with Dvořák's music is shown by the many awards their recordings have received (Diapason d'Or, BBC Music Magazine Recording of the Month), crowned by the ensemble's sixth (!) Gramophone Award. Now there will also be something for fans of vinyl sound: 180 g virgin vinyl, DMM cutting... What more is there to say?

"Another Pavel Haas Quartet disc, another triumph" Gramophone

Reviews

“The Pavel Haas Quartet, joined by violist Pavel Nikl, certainly capture his reflective mood in the introduction to the first movement, but they also secure a sure-footed balance between tenderness and giddy celebration. Equally impressive is the scherzo in which the exuberant ‚hoedown‘ of the main section contrasts with a magically beautiful performance of the trio. Throughout the slow movement, the playing of the solo lines is captivating and the finale is both sophisticated in delivery while communicating irrepressible energy.”
BBC Music Magazine, November 2017

“The brilliant, technicolor recordings of the Pavel Haas Quartet have won it an impressive array of awards since its inception in 2002. More will surely follow for this latest excursion into the works of Dvořák. The playing is breathtakingly good, each performer maintaining their own personality and yet working together to conjure a special magic, whether in the sparkling “furiant” of the piano quintet No 2 in A major, Op 81 (with Boris Giltburg at his most mercurial), or the dreamy, song-like opening movement of the string quintet in E flat major, Op 97, redolent of the wide-open spaces of rural Iowa. Highly recommended.”
The Observer, October 2017

“Something that always takes my breath away with this quartet is the range and breadth of dynamics and tone colours that they produce, as well as the perfect blend of sound that they make whilst still allowing individual members’ contributions to come to the fore when required. The very opening of the piano quintet is a case in point: with its gentle cello melody supported solely by a rocking piano accompaniment it makes for a beautifully hushed opening, and as played here by cellist Peter Jarůšek it is simply sublime. Take also the first movement of the string quintet, where the players move from digging in with such force that it sounds like their strings are about to snap, to the most delicately tender chords.”
Presto Classical, October 2017

“Another Pavel Haas Quartet disc, another triumph. They seem always immersed in all they play, both in terms of their rapport but their instinctive understanding of the score too.”
Gramophone, November 2017

“Throughout the album with such inspiring musicianship PHQ successfully deal with the challenges of varying emotional depth and meter of the scores. (…) The Pavel Haas Quartet continues its tradition of adding excellently performed albums to its discography.”
MusicWeb International, November 2017

“The interpretations and recording of this cd are at a very high standard. Boris Giltburg’s colorful playing supports the brilliantly playing Pavel Haas Quartet”
De Standaard, December 2017

“L´investissement et l´inspiration des interprètes ne failblissent pas une seconde: au milieu de prises de vues panoramiques, on leur retrouve des accents aussi radicalement fouettés que chez Smetana en 2015 (Cinq Diapason, cf. no. 639), un art du chant à tomber … et des couleurs à faire pâlir d´envie tous ceux qui y ont tenté leur chance depuis les Talich il y a quenze ans… Apothéose!”
Diapason, February 2018

“Au sein d’une discographie de haut vol, le Quatuor Pavel Haas se distingue par sa lecture sans concession, aux lignes clairement dessinées et au pouls palpitant. Tout entier au service de Dvořák, il émeut, surprend, bouscule, et tient l’auditeur en haleine. On n’en sort pas indemne.”
Classica, July 2018

LP 1

Antonín Dvořák
Piano Quintet No. 2 in A major, Op. 81 (B. 155)
1. Allegro, ma non tanto 14:58
2. Dumka. Andante con moto 14:16
3. Scherzo - Furiant. Molto vivace 04:21
4. Finale. Allegro 08:29

LP 2

Antonín Dvořák
String Quintet in E flat major, Op. 97 (B. 180)
1. Allegro non tanto 09:11
2. Allegro vivo 05:48
3. Larghetto 09:50
4. Finale. Allegro giusto 07:48