B. Bartók - Sonata No. 2*, Romanian Folk Dances*; L. van Beethoven - Sonatas in C minor, Op. 30/2*, in G major, Op. 30/3*, in A major, Op. 47*, Romance for Violin and Piano in G major, Op. 40*, in F major, Op. 50*, Violin Concerto in D major, Op. 61; A. Glazunov - Violin Concerto in A minor; E. Lalo - Symphonie espagnole; M. Ravel - Tzigane, Habanera; P. de Sarasate - Zigeunerweisen; J. Sibelius - Violin Concerto in D minor, Op. 47; I. Stravinsky - Divertimento, Violin Concerto in D major*; G. Tartini - Sonata "Le trille du diable"; H. Wieniawski - Violin Concerto No. 2 in D minor, Op. 22, Scherzo - Tarantelle, Mazurka - Obertas*, Polonaise in D major*, and more
Ida Haendel - violin, Alfréd Holeček - piano, Czech Philharmonic Orchestra / Karel Ančerl, Prague Symphony Orchestra / Václav Smetáček
"She radiates an elemental, ecstatic musicality, one peculiar to Gypsy virtuosos, yet refined into a perfectly cultivated form."
Such attributes as charismatic, singular, exceptional are somewhat overused today. Yet in the case of Ida Haendel they are justified. Born in 1928 into a Polish Jewish family, she was a child prodigy, playing Beethoven's violin concerto at the age of five... and leading master classes in London at the age of 85. After her Prague debut in 1957, she returned to the city throughout the 1960s, either to give concerts (most frequently with the Czech Philharmonic Orchestra conducted by Karel Ančerl, and exclusively accompanied by the pianist Alfréd Holeček at chamber recitals) or to work in a studio. The present album features the complete live and studio recordings Ida Haendel made in Prague until 1965 deposited in the Supraphon and Czech Radio archives, with a number of them being released for the very first time. Alongside "virtuoso pieces" and sonatas, the CDs include concertos by Beethoven, Stravinsky, Wieniawski, as well as her "flagship" Sibelius. When listening, you will have no doubts as to the veracity of Ida Haendel's seemingly immodest statement "I am the violin..."
Ida Haendel on herself: "I am the violin…"
“Netopil directs an excellent performance which, appropriately enough, reflects the operatic world of The Cunning Little Vixen and the Excursions of Mr Broucek…[the Credo] is beautifully shaped and genuinely thrilling. If not entirely perfect, this reading, along with a fine performance of The Eternal Gospel is well worth investigating.“ MusicWeb International, 14th October 2014